Seedance 2.0 Tsui Hark-Style Wuxia Film Prompt
AI图生视频与动态镜头分镜
A highly detailed multi-shot prompt for generating a wuxia film sequence in the style of director Tsui Hark. Set on Tianmen Mountain in Zhangjiajie, it emphasizes dynamic camera work and specific action sequences. A character face/costume reference image is required.
[Cloud Cavern Sword Shadows · Tianmen Bloody Battle] — Zhangjiajie Tianmen Mountain one-take sequence Core style: Tsui Hark new-school wuxia epic, single continuous take, high frame rate, 4K ultra-HD. Color palette: Tsui Hark bright tones — "cold jade green-black + amber flowing light". High contrast, mountain mist acting as a soft-light filter, sharpening character outlines, DaVinci industrial-grade color grading. Location: Tianmen Mountain in Zhangjiajie (the strange and treacherous terrain of western Hunan. The Tianmen cave gapes open, swallowing and exhaling clouds; the 999-step Heavenly Ladder hangs vertically against the sheer cliff like a path to heaven; stone forests and pillars cluster like upraised swords, with the plank walkway appearing and disappearing through the surging sea of clouds, impassable even to flying birds). Camera trajectory: Low-angle upward shot (emphasizing the perilous heights) → rapid push toward the cave mouth → 180° horizontal orbit (showcasing the plank-walkway battle) → downward dive → slow pull-back to center → backlit close-up. Shot script: 0-4s [Opening · Tianmen Cloud Surge]: Camera: Extreme low-angle upward shot, the lens sweeping rapidly up the Heavenly Ladder from below. Frame: Character facial reference @[Image 1], in wuxia swordsman attire (snow-white robes, bamboo hat pulled low, holding a long sword), standing alone at the center of the 999 steps. Action: Wild winds whip the surrounding clouds. [Image 1] grips the sword hilt with his right hand while his left hand pinches a sword-finger gesture across the bridge of his nose. The camera pulls back to reveal the Tianmen cave behind him, like a giant eye of heaven. 4-8s [Fierce Battle · Suspended Ladder Ambush]: Camera: 180° orbital shot. Frame: A dozen tight-clothed assassins swing down from both sides, clinging to the cliffs like apes. Action: [Image 1] taps his toes on the steps, body spinning while inverted. (Tsui Hark-style slow-motion dynamic) The sword stays sheathed — he uses the scabbard as a staff to jab, parry, and strike. Air currents shake the rainwater on the steps into mist. The camera orbits quickly, capturing afterimages and sparks from metal clashes. 8-11s [Breaking the Formation · Threading the Stone Forest]: Camera: Tracking the character in a dive, passing through a stone arch into a cliffside plank walkway. Frame: The assassins have laid steel-wire traps. Action: [Image 1] finally draws the long sword (the blade reflecting amber sunlight) and delivers a horizontal sweep. The sword aura turns into a green-black arc of light, severing the steel wires. The snapping wires recoil and shatter cliff stones. He twists and turns on the narrow walkway, his figure weaving among the stone pillars, blending substance and illusion. 11-15s [Closing Stance · Mist Clears, Lone Peak]: Camera: Camera slowly pulls out from the cave mouth, vision widening to reveal the abyss below. Frame: Talisman papers (or withered leaves) drift in the wind. [Image 1] stands at the edge of the Tianmen cave, the sea of clouds churning at his feet. Action: He twirls a sword flourish and sheathes the blade, holding it behind his back. Sunlight pierces through the Tianmen cave, forming a massive Tyndall effect. Freeze frame: The camera pushes to an extreme close-up. A drop of blood falls from the edge of the bamboo hat, tracing his jawline. His gaze is sharp as lightning, with the vast majestic landscape behind him.
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